Saturday, April 13, 2013
Buried Child
The
world of Shepard’s Buried Child at
first glance seems to fit into the same reality as we live in ourselves. When
you begin to read the script you are greeted by a page long paragraph about the
set dressing and costumes. This we expect to see at the beginning of every
conventional illusionistic play, but Buried
Child isn't a conventional illusionistic play. Though the characters don’t burst
out into song randomly, it is clear after you finish the script is that the
story line and the extreme illusionism of the stage don’t quite fit. It almost
seems as if the play is an illusion of illusionism. The script tries to present
a reality in which “the American dream” is turned on its head. If I would pin
point a specific element that distinguishes planet Buried Child’s sense of reality from our own it would have to be ambiguity,
complexity, and irony. First off, there is a huge lack of the use of irony of
any kind in this play. In most plays that we have read, we the readers were
given information that the other characters weren't privy to. This script provides us with little to know
information extra from what we see with our own eyes, and in doing so creates a
strong element of ambiguity. This ambiguity around things like who the baby’s
father is makes us uncomfortable because if we were to have lived their lives
we would know for sure. This sense of not knowing thing that you should is what
provides that determent from reality as we know it. The characters in this play
seem to not provide us with answers to these questions as if they are afraid of
them themselves. This to me seems to be commenting on “the American dream” by
showing us the power of ignoring ugly truths.
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One of my favorite parts about the ambiguity in this show is the fact that the characters almost seem to not understand what is happening themselves. The characters don't divulge any information and at times they make you wonder if they even fully understand what has happened to them. It makes there tragedy even more poignant to know that it was so devastating, the only way to cope is to drive yourself mad.
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